
Knats
APOLOGIES to my avid reader, for I think there is one hiding somewhere, about the lack of a blog. I’ve been too busy celebrating old people’s birthdays (including my own) and getting all cultural.
It’s been a while since I saw a gig, a play, a film, and a comedy show in the same week. You’d have to go back to London in the 1980s when the review tickets fell like confetti at a freeloader’s wedding. And that’s not to mention time spent watching Celebrity Traitors; more of that in a moment.
Here’s how the week took shape…
First we drove to Knutsford to spend the night visiting my 94-year-old mother, then found ourselves buffeted back in a rain-lashed gale that blew without regard to the feelings of medium-sized Spanish hatchbacks or their frowning medium-sized drivers.
Delivered home more or less in one piece, the next day we celebrated my father-in-law’s 90th birthday with lunch at a country pub.
That evening we went to a gig by Knats, a Newcastle jazz, poetry and rap band led by lifelong best mates Stan Woodward (bass) and King David-Ike Elechi (a drummer with arms to shame a telegraph pole).
They’d been nominated for the Mercury Prize but didn’t seem too put out not to have won.
Unlike some members of the audience, they were absurdly youthful, larky, lusty and talented. At one point, they divided us all into two blocks so a radio-controlled racing car could be driven down the sweaty canyon created by this request. A joyous night.

Next up was The Penelopiad at York Theatre Royal, a play drawn by Margaret Atwood from her own novella that gives the women from Homer’s The Odyssey their say (unlike in Christopher Nolan’s blockbuster movie). At its core is Penelope, left hanging around for 20 years while her husband is off male gallivanting and Trojan warring. Amelia Bullmore was spry and athletic in the title role, but much of the credit for the show’s success lay in the eight-strong chorus of young female actors, who played assorted roles, including Penelope’s gravely abused maids.

On a day and we went to a morning screening of Ghosts: The Possession of Button House, a film version of the BBC sitcom about the nicest ghosts you could ever wish to meet.
Mind you, this glorious spin-off from the series has its surprises. For a start, Kitty tasers a police officer. Fanny pulls down her drawers to show off her behind (‘Take a look at these apples!’), while caveman Robin falls for an eco-activist who is not all she seems.
Ghosts was a wonderful family TV show, and this film fills out the characters nicely, and also temporarily frees them from their spectral chains. Best of all, Scout leader Pat, the one with an arrow through his neck, joyrides at speed while driving a stolen police car.
Next day our four-year-old granddaughter came for a sleepover. This was lovely, although she did wake up at a quarter to five on the Friday morning, excited because her uncle was arriving later, and because I was taking her out to buy croissants.
On the Saturday there was a family lunch at a fish-and-chip restaurant for my in-laws (my wife’s dad just turned 90, as mentioned, and her mum is about to).

On the Sunday afternoon I went with a friend to a show he liked the look of. It was called Wankernomics, a title to catch the eye. James Schloeffel and Charle Firth are Australian comedians who find humour in the bullshittery of modern life, the managerial business speak that haunts the office. It’s an easy target, perhaps, but the jokes hit home and the audience squirmed and squealed in agonised recognition.
Underlying the humour is the assured truth that no-one knows anything, and everyone is just spooning nonsense from the word salad bowl to hide this fact.
Thank heavens to be retired was my verdict. No more meetings ever.

TOO often my taste in TV programmes leans to the mildly obscure, including all those subtitled European crime dramas on Walter Presents. And if you haven’t discovered Walter yet, where have you been and how do you wile away those hours?
Celebrity Traitors is not the sort of thing I normally enjoy. But last year we were going away with friends who all said we had to watch. Not wishing to be left out of the conversation, we tuned in and loved the show.
A second series has just ended. It was good, but not quite up to the first, although the final episode was a belter. Before discussing further, it is time for a spoiler alert. Don’t read on if you’ve still to watch.
What’s good about this series, especially if normally you favour dramas seen by a small congregation of similarly minded TV snobs, is that you are watching along with millions of other people. It’s like television used to be. I like that sense of communion.
As for the latest Celebrity Traitors, I was sorry when Hannah Fry was killed off as she always brightens the evening. But compensation for this oversight came when the two winners sent their prize money to charities for refugees.
This annoyed the sort of people who deserve to be annoyed. The Daily Express spluttered… Celebrity Traitors sparks fury over winning charities – ‘ruined the show’.
Headlines, you will have noticed, are not what they were. ‘Sparks fury’ is, by the way, newspaper-speak to describe a few old miseries having a grumble.
So much media and political effort nowadays is directed at convincing us to suspect or despise refugees that it was wonderful to see Sebastian “Bash” Croft and Romesh Ranganathan supporting those charities.
Good on them. It was also interesting to see Bash – I had no notion of who he was beforehand, and probably still don’t – winning round the older, spikier Romesh to his point of view.












